Although modulated light curves are typical of LBVs during the S-Dor variability phase, the luminous maxima and the high frequency of outbursts are unexpected in S-Dor variables. However, the widths of the spectral lines indicate unusually high wind velocities (1500-2800 km s-1), similar to those observed in Wolf-Rayet stars. The fast-evolving light curve soon after the outbursts, the quasi-modulated light curve, the peak magnitude and the overall spectral properties are consistent with multiple episodes of variability of an extremely active LBV. Its spectrum showed H, He I and Fe II lines with P-Cygni profiles during and soon after the eruptive phases, while only intermediate-width lines in pure emission (including He II lambda 4686) were visible during quiescence. During outbursts the star reached an absolute magnitude between -12.1 and -12.8. Previously, this star experienced an outburst also in 2000 (known as SN 2000ch). Faces are transformed by an intense luminosity, referencing the halo of saints to the "mandorle" that encompasses the Virgin Mary.We present new photometric and spectroscopic observations of an unusual luminous blue variable (LBV) in NGC 3432, covering three major outbursts in 2008 October, 2009 April and 2009 November. In ash, we find blind clarity, and this state can be found in the first couple of portraits. With beams of light, we are able to turn the invisible, visible. In the daytime, light booms and attacks that which is visible. His images are presented in three states: day, beam, and ash. Etymologically speaking, what is a photograph if not something that has been written with light? With such a title, he suggests that light is not only material for photography but also his subject. Olivier Dassault enjoys the idea of being a "photographer of light". Our impressions and humor in the depths of the subconscious influence the impulsive rhythm of taking photographs."Ībove all, it is the way that light pulls together the composition of the image. I improperly perceived my attempts for abstraction as impersonal, where, rather, abstraction comes from a subjective language that mixes together sensations with gestures. "It took me around thirty years to realize that I made a mistake in my vocabulary. Considering the impressions that are made on a roll of film, couldn't we compare photographic gestures to that of a boy enchanted by a kaleidoscope that he turns in front of his eye? This metamorphosis is the essence of his work. Abstraction in the vein of Olivier Dassault is a learned game, but one that can be played with children nonetheless. In this hide-and-seek with reality, the titles and indications that accompany the works allot for new spaces of interpretation, preventing them from appearing cold. Or even in "El Barquo", an image that inspired the Cubists which was born from the contemplation of the slats of wood that made up a small boat. It is like an "Art Club" - an hommage to Malevitch? - where we recognize a door with frosted glass. When looking at his work, however, one does not forget his inital intentions. Often, despite the "orphisme" - or the passion for rhythm and colors - that encompasses his work, some traces of reality remain, as if a part of a palimpsest. The need to liberate myself from painting opened up a more abstract vision of daily life." "I would like to treat faces as if they were landscapes. the young portraitist admires the grain that appears on 35mm film, for him it was nearing a style of impressionism. Jane Birkin, Isabelle Adjani, Isabell Huppert.
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